most recent 30 from http://socialsounddesign.com 2013-05-24T15:18:30Z http://socialsounddesign.com/feeds/question/15199 http://www.creativecommons.org/licenses/by-nc/2.5/rdf http://socialsounddesign.com/questions/15199/best-mic-preamp-for-footstep-recording Axel S 2012-08-28T09:10:34Z 2012-08-30T12:53:59Z

<p>Hello,</p> <p>I would like to record footstep to create a personal sound bank. I wonder what preamps and what microphones you usually use for this kind of thing in studio? I do not have specific or maximum budget, So do not hesitate to suggest me very expensive stuff (of course less expensive is cool too).</p> <p>The constraints include:</p> <ul> <li>Very good S/N ratio : I would like to record some tiny variation like sneak walk.</li> <li>Several microphone for several mic position (suggest several config)</li> <li>Neutrality and precision</li> </ul> <p>In the past I used dual DPA 4006A for near recording in combo with dual DPA 4011A for distance. Unfortunately my preamp (Aphex 1788A) was not good enough (too much noise) but I was still satisfied with the sound from DPA. So I am open to alternative or similar suggestion. </p> <p>Thanks</p>

http://socialsounddesign.com/questions/15199/best-mic-preamp-for-footstep-recording/15200#15200 Feel412 2012-08-28T11:11:15Z 2012-08-28T11:11:15Z

<p>A great combo for footstep (outdoor) is Rode NTG3 with Sound Devices MixPre-D. I always get really good stuff with them. For other configurations (?) I suggest a good figure8 mic to combine in M/S with the Rode (Sennheiser MKH 30 for exaple). Anyway, for more info I'll hand over to the experts...</p>

http://socialsounddesign.com/questions/15199/best-mic-preamp-for-footstep-recording/15201#15201 Rene 2012-08-28T12:08:20Z 2012-08-28T12:08:20Z

<p>the hollywood standard is a 416 for footsteps, though I've recently been considering running some experiments.</p> <p>the thing about footsteps is that you never run them very hot in a mix, so consequently noise floor is less of an issue than if you just listen to them in isolation.</p> <p>the real tricky part is smoothing out some of the swingier transients that grit and rubble can produce - you don't want one footstep sticking out too far above the others on accident. </p> <p>As such, i've been considering running some mics that have slower transient responses and slightly warmer characteristics to better compliment final usage.</p>

http://socialsounddesign.com/questions/15199/best-mic-preamp-for-footstep-recording/15204#15204 Tommy Jansen 2012-08-28T13:46:42Z 2012-08-28T13:46:42Z

<p>I haven't tried every combination of mics and preamps out there, but i can tell you what i use and am happy with:</p> <p>In the studio i use Sennheiser Mkh 50 or 40 with RME Fireface 800 for foley/small objects and sound fx. If i'm recording footsteps in stairs or loft i bring my Sound Devices 702. If you ever get out of your cave (recommended) i've found the Rode NTG3 to capture footsteps in mud, snow or whatever really well. But get a good handheld solution from Rycote...</p> <p>Since i'm not only working on films and TV i also often record these things in stereo. Yes, a lot can be done in post, but on the right location, natural ambience/roomtone and reverb is a killer! Try spaced omnis like Sennheiser Mkh 8020 on a stand in the room together with a handheld Mkh 40 or 50, pointing at your feet or on a stand for pass by effect. Then you can mix and match later in the studio.</p> <p>Also, don't forget to experiment with good contact mics on squeaky floors etc.</p>

http://socialsounddesign.com/questions/15199/best-mic-preamp-for-footstep-recording/15207#15207 John Simpson 2012-08-29T01:35:45Z 2012-08-29T01:35:45Z

<p>Hi guys, well here's a tip for you. Ive been using a Nuemann KMR81i for 90% of foley recording. Been doing foley for more than 25 years, so have tried it all. The 416 was the standard many years ago but it does have a nasty kick around 3k which really bites with chains, keys or foot grit, the KMR 81i is much warmer. The 416 is what I use for location foley on some films as its better in the wind and really brings in the feet thanks to the 3 k kick!</p> <p>As far as mic pre's go, I use a DBX 768 with the digi out ( unfortunately these pre amps are no longer available). the other I like in the TL Audio C1 valve pre..very nice for impacts and just warming up the sounds, its also a very quiet pre. Just remember that no matter how quiet the mic and pre combo are, if the space your recording in is noisy, then thats as quiet as you will ever get.</p> <p>Hope this helps..Good luck</p>

http://socialsounddesign.com/questions/15199/best-mic-preamp-for-footstep-recording/15230#15230 schapps 2012-08-30T12:53:59Z 2012-08-30T12:53:59Z

<p>For preamps, I love using Milenia (HV-3D) and John Hardy M-2 pres. Great S/N ratio, even frequency response, and tons of headroom.</p>