GENERALLY (because as you well know, every project is different), the difference is that I tend to use more compression on TV, because a) I have to hit a LKFS spec and b) I usually have far less time to ride levels so multiple compressors can go a long way. In film I usually start with very minimal processing on the bus... just a peak limiter and then add only what I absolutely need to. With TV shows I usually have a template/program that may include, NR, EQ and compression. These are usually setup on the first ep, and then tweaked as needed.