Hello all, I'm very gratefully to have an awesome place that I can post questions and get valid feed back from experienced and talented people. Thanks in advance for your input! …

I know the topic of exterior BGs for interior scenes has already received a lot of attention here. However, my question is more specifically related to how to mix them. I'm workin …

For car scenes that involve Dialogue and camera angles that move from the hood outside the car, to actual back seat perspective shots, does one cut everything from the interior per …

Hey guys, I notice myself using a few of the same lite wind/breeze files in my BGs for day and night time scenes. I mean I have enough to get by but I would like to know if anyone …

hello, this must have been asked before though i couldn't find any related question titles via search. i'm looking for recommendation for a resource (library / website) where i co …

Hey all, I'm about to start cutting some sounds for a scene taking place in Seattle. I haven't been there. For those of you who've been there or live there, is there anything I sh …

So upon reading all the great interviews and posts on BG creation/layering, im finally designing a specific set of backgrounds for a film. Im trying to make a background that can …

I'm curious as to how you all lay up/mix backgrounds for 5.1. Originally, i would lay the tracks discreetly and just send them to the appropriate output (ie. L, R, Ls, Rs), but sin …

Looking for tips & tricks on how to make those backgrounds, winds and crowds come back to life -- ie. how to effectively use amplitude or frequency modulation / EQ sweeps / del …

When laying the dialogue over background music, let's say it's a party scene. Are you concern with portraying the reality, by keeping the music throughout the dialogue, Or you fade …

For a movie I'm working on, I need some small rugby crowd ambiences. So I went to a pub to record some, but the TV was up a bit too present. It's non-distinct, but audible nonethel …