0
votes
6answers
217 views
how to create the effect of someone talking over a microphone?
hey guys, i have been trying to create the effect of a character talking over a microphone. i used delay, and then eq-ed it, giving a boost in the low-mid section since the charact …
1
vote
2answers
231 views
Live field recordings or recreate by foley?
Obviously this depends entirely on what sound you are trying to create. Sometimes sounds will be made by using both sources. But i'm interested in what makes people decide if they …
6
votes
15answers
2k views
Who’s designing sound with an iPad?
One of these magical gizmos has found its way into my life and now I'm wondering what else it can do besides check email and play Angry Birds. Have found a few interesting apps out …
7
votes
6answers
486 views
Inspiration - What influences your aesthetic
So, here's something I bat around with people every now and then...and I know several people on here have discussed this in other venues. Why not bring the conversation here and se …
5
votes
10answers
4k views
How Did They Do That?? Vol. 1: The Predator “clicks”
If anyone knows how the iconic Predator "click" vocalizations were created (for the original film, that is), then please, do share! (This means you David Stone, Richard Anderson an …
4
votes
3answers
815 views
How Did They Do That?? Vol. 2: Ghostbusters “proton pack”
Following on from Jay Jennings' post, How Did They Do That?? Vol. 1: The Predator “clicks”, I thought I'd carry on the series with another classic, iconic sound - the Ghostbusters …
3
votes
5answers
379 views
Creative Spaces
So, in my iTravels I've spent a ton of time reading through acoustics threads on message boards like GearSlutz and TapeOp. The information on those sites really is top notch, and …
9
votes
2answers
645 views
A Study in Effective Sound Design: The Terminator (1984)
So I'm flipping channels and find The Terminator on AMC. And it was just starting! It's been a while since I've seen it in its entirety, so I decided to give it my full attention.
…
2
votes
6answers
619 views
Who is using a vocoder these days and how?
This wonderful little device has stood the test of time but rarely does it make its way into my sound design bag o' tricks. Who has good tips or stories?
Btw, my version of a voco …
2
votes
3answers
179 views
MOC - Mit Out Computer
Anybody got any fun ideas for non-computer based sound design?
Got a long weekend coming up with plenty of spare time. I'm planning on playing with my reel to reel to do some tap …
5
votes
9answers
993 views
Parachute Sound?
How would one go about creating a parachute sound?
I've tried flapping clothes in front of a microphone and processing them.
6
votes
7answers
226 views
Thinking outside the “box”
When faced with a design challenge, what is your first instinct: To reach for a mic or a piece of software?
Of course it often depends on the project or task at hand, but in gener …
4
votes
6answers
694 views
Best use of sound design in a comedy?
OK, we've covered "favorite sounds" and "best sound in a thiller", but what about comedies, where the sound effects usually cower in fear of dialog and music? And what is it about …
4
votes
8answers
502 views
How do you stay original?
Seems like it's all been done before…
What do you do to create your own style/voice/signature? How do you avoid (or embrace) the clichéd and the tried-but-true approaches to give …
6
votes
9answers
306 views
Listening to your own work.
Hi all
I´ve often wondered how everybody else feels like, when listening to sound they have done for animations, games, features etc.
I have a tendency to feel like my work is not …