Some I'd you may know me or some of my team personally, and I have posted quite a bit. But am often busy with work and not as "social" as would like to be. So I wanted to share our …

i would like to know how to do a proper film mix -both mono and 5.1 in details. what are the steps one should follow? is it necessary to EQ all dialogue tracks, foley and fx trac …

Hi All, I'm a long time lurker, first time poster, so thanks for all the great advice I've absorbed from you all already. I'm designing / mixing some trailers specifically for the …

Hey all - Quick question for those working with 5.1 content for broadcast, long- or short- formats. What exactly is your client's approval process or processes? We're quickly a …

I often think that wacky movies blur reality to the point that they share similiar qualities with video games. I'm about to watch El Topo for the first time and I think it would be …

Money is not an issue. What is the ideal mixing console you would prefer to use in your own studio? Think with ease of use, sound quality, compatibility with other studios, compa …

I was wondering if there were any quick approaches from taking a soundtrack that has a wide dynamic range (film) and compressing it for something like the internet, where most thin …

Anyone know what the loudest level for a mix on broadcast (CBS) television is? Im doing a mix that may end up on there and Id rather not have it smashed by their compressors. :) …

When you mix, do you have a certain db level that you try and keep all your levels at and then compress the peaks? Are there certain levels for dialogue? Does using the gain audi …

So when you are predubbing do you/your re-recording mixer print stems & replay those in the final mix, or do you just write automation and all the original edit tracks runs liv …

So I am working on a trailer for a video game that features Dinosaurs. I have big ol epic feet for the T-Rex - friggin epic on my monitors. But it seems like the only audio that f …

I just mixed a documentary for TV broadcast and the clients told me that it should not peak higher than -6db and the reference tones should be at -12db. I did just that but then wh …

When you are mixing with downward expansion and the downward expander creates holes during the fades at the ends of dialogue regions, what do you do?

I'm currently specing a new mix room to be built and wanted to get input if you're willing to share it on runoffs and how your line works: How many Pro Tools stations do you have …

I used the waves one and now i'm trying the Eiosis E2deesser: I found its approach really interesting and natural sounding. I use a combination of that plugin and multiband compres …