Hi i´m planning a field recording trip (Turkey). I´m looking also for renting a double M/S Setup for beeing as much flexible as i can. So what are your thoughts about a Neumann km1 …

http://www.megaupload.com/?d=0U8JEMT0 On Christmas night from about 4-7 pm I recorded a bunch of stuff and here it is for download. I recorded mostly in San Francisco with a Sennh …

I've been getting some great suggestions through email correspondence but I wanted to put this question out to ya'll. You have $4000 and you want to buy a M-S stereo microphone se …

Has anyone here used a Sony ECM680S for field recording? I have to get one at a relatively low cost (below market) and would like to know about sensitivity, handling noise & fr …

As I've become more comfortable with mid-side stereo recording and matrixing it as LR in post, rather than at capture time, I'm wondering about the ability in various plug-ins to e …

I am trying to find a plug-in that encodes LR-signals to MS. I have two AT3032 that I want to use as a stereo pair, and this is what I need to do (as per instructions): "Match the …

Hi to all field recordists. If using a stereo shotgun microphone, how could you hear what it is you're recording through m/s encoding in real time (ex, not later on in the studio, …

I'm working on another feature film this summer and I need to record a lot of sound to be used in post. On set we'll have unique planes, tanks, armored personnel carriers, weapons …

I have always heard, and agreed that it is best not to decode the M/S while recording to be able to do it properly in post. This extra step can be a bit time consuming just to be a …

I know the question of M/S vs. X/Y recordings has been discussed many times as well as the benefits of both. All of that aside, I'm a little concerned about how my M/S recordings w …