So, I've been thinking a bit about mix workflows and routing. In the past, with dialogue, for example, I've hard-bussed all my dx tracks to an aux track where I normally just thr …

This last project I have done in Nuendo for its built in surround capabilities. What I cannot figure out for the life of me is how to properly export a Mixdown and all the stems. …

I remember finding a great set of videos a while ago which broke down a scene from Apocalypse Now into the relevant stems (music, dialog, foley etc). It was a great educational r …

So I have a post template I work with all the time. Some DX tracks (all mono), some FX tracks (half mono and half stereo) some FO tracks (all mono), and some MX tracks (all stereo) …

Hello all, I'm curious how other people do this. I've never actually had to mix an M&E before as it was all done for me in the mixer routing in ProTools (I also had totally cl …

How are your sessions built so that when the client receives final stems, the comped level doesn't exceed a given threshold? The way I set up my sessions is audio tracks feed aux …

A few related questions have been asked before, but I can't find any threads discussing Stems and backup practices in a more focused manner. I'm just curious as to what all of your …