Hi there! I was wondering how poeple set their limiter while mixing film for theater and/or dvd. There can be found a lot about speaker calibration and just mixing by ear after yo …

Ok, I think I'm going out on a limb here and creating a huge debate. But this topic deserves to be debated. For those of you who haven't heard or investigated Dolby's new Atmos sys …

Hi All, I'm working on a new play that really pushes the audience's comfort level. . . I was wondering if anyone can share psychoacoustic techniques they've found to elicit cert …

Hi first post here :) I made the sound, music for a short film (a stereo 48k mix). The film had no dialogue. I noticed though in the screenings (2 film fetsivals) that the stereo …

Hi All- First off, I literally started an account two seconds ago and am surprised I didn't find this site sooner. Happy to be here. Okay, so my question. I did a sound design …

I'm looking for some resources to help me understand the challenges and equipment used in bringing sound design to the theater for plays and musicals. I'm currently using google bu …

I'm mixing a scene that takes place inside of a movie theater - a heavily sound proofed one. It's hard to describe the acoustic properties of an environment like that, but I am su …

Hey all! I have been working with a theater here in Arizona, I started there as an intern for credit, and now that my hours are done, I think its time to start charging them for th …

Hi again, Thanks to Shaun Farley and Tim Prebble who answered to my previous question, I figured out I must go into a good studio to be certain about the mixing coming from Pro-to …