I'm a total stickler when it comes to quality.

In my opinion, I hear a drop in quality going from 96K to 48K.

I absolutely hate the fact that films are still mixed at 48K48K.K.

When do you think it will be standard to mix a film at 96K or possibly 192K and have it stay at that sample-rate?

What are your guys' thoughts on 48K as opposed to 96K? Am I alone when I say I can hear a difference in quality between 48K and 96K?

Also, when you record dialogue or effects or foley, do you record straight to 48K or do you record at 192 or 96 and then downconvert? And how do you do the downconverting?

I'm a total stickler when it comes to quality.

I hear a drop in quality going from 96K to 48K.

I absolutely hate the fact that films are still mixed at 48K.

When do you think it will be standard to mix a film at 96K or possibly 192K and have it stay at that sample-rate?

What are your guys' thoughts on 48K as opposed to 96K? Am I alone when I say I can hear a difference in quality between 48K and 96K?

Also, when you record dialogue or effects or foley, do you record straight to 48K or do you record at 192 or 96 and then downconvert? And how do you do the downconverting?